Conradin was ten
years old, and the doctor had pronounced his professional opinion that the
boy would not live another five years. The doctor was silky and effete,
and counted for little, but his opinion was endorsed by Mrs De Ropp, who
counted for nearly everything. Mrs De Ropp was Conradin's cousin and
guardian, and in his eyes she represented those three-fifths of the world
that are necessary and disagreeable and real; the other two-fifths, in
perpetual antagonism to the foregoing, were summed up in himself and his
imagination. One of these days Conradin supposed he would succumb to the
mastering pressure of wearisome necessary things – such as illnesses and
coddling restrictions and drawn-out dullness. Without his imagination,
which was rampant under the spur of loneliness, he would have succumbed
long ago.
Mrs De Ropp would
never, in her honestest moments, have confessed to herself that she
disliked Conradin, though she might have been dimly aware that thwarting
him 'for his good' was a duty which she did not find particularly irksome.
Conradin hated her with a desperate sincerity which he was perfectly able
to mask. Such few pleasures as he could contrive for himself gained an
added relish from the likelihood that they would be displeasing to his
guardian, and from the realm of his imagination she was locked out – an
unclean thing, which should find no entrance.
In the dull,
cheerless garden, overlooked by so many windows that were ready to open
with a message not to do this or that, or a reminder that medicines were
due, he found little attraction. The few fruit-trees that it contained
were set jealously apart from his plucking, as though they were rare
specimens of their kind blooming in an arid waste; it would probably have
been difficult to find a market-gardener who would have offered ten
shillings for their entire yearly produce. In a forgotten corner, however,
almost hidden behind a dismal shrubbery, was a disused tool-shed of
respectable proportions, and within its walls Conradin found a haven,
something that took on the varying aspects of a playroom and a cathedral.
He had peopled it with a legion of familiar phantoms, evoked partly from
fragments of history and partly from his own brain, but it also boasted
two inmates of flesh and blood. In one corner lived a ragged-plumaged
Houdan hen, on which the boy lavished an affection that had scarcely
another outlet. Further back in the gloom stood a large hutch, divided
into two compartments, one of which was fronted with close iron bars. This
was the abode of a large polecat-ferret, which a friendly butcher-boy had
once smuggled, cage and all, into its present quarters, in exchange for a
long-secreted hoard of small silver. Conradin was dreadfully afraid of the
lithe, sharp-fanged beast, but it was his most treasured possession. Its
very presence in the tool-shed was a secret and fearful joy, to be kept
scrupulously from the knowledge of the Woman, as he privately dubbed his
cousin. And one day, out of Heaven knows what material, he spun the beast
a wonderful name, and from that moment it grew into a god and a religion.
The Woman indulged in religion once a week at a church near by, and took
Conradin with her, but to him the church service was an alien rite in the
House of Rimmon. Every Thursday, in the dim and musty silence of the
tool-shed, he worshipped with mystic and elaborate ceremonial before the
wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in
their season and scarlet berries in the winter-time were offered at his
shrine, for he was a god who laid some special stress on the fierce
impatient side of things, as opposed to the Woman's religion, which, as
far as Conradin could observe, went to great lengths in the contrary
direction. And on great festivals powdered nutmeg was strewn in front of
his hutch, an important feature of the offering being that the nutmeg had
to be stolen. These festivals were of irregular occurrence, and were
chiefly appointed to celebrate some passing event. On one occasion, when
Mrs De Ropp suffered from acute toothache for three days, Conradin kept up
the festival during the entire three days, and almost succeeded in
persuading himself that Sredni Vashtar was personally responsible for the
toothache. If the malady had lasted for another day the supply of nutmeg
would have given out.
The Houdan hen was
never drawn into the cult of Sredni Vashtar. Conradin had long ago settled
that she was an Anabaptist. He did not pretend to have the remotest
knowledge as to what an Anabaptist was, but he privately hoped that it was
dashing and not very respectable. Mrs De Ropp was the ground plan on which
he based and detested all respectability.
After a while
Conradin's absorption in the tool-shed began to attract the notice of his
guardian. 'It is not good for him to be pottering down there in all
weathers,' she promptly decided, and at breakfast one morning she
announced that the Houdan hen had been sold and taken away overnight. With
her short-sighted eyes she peered at Conradin, waiting for an outbreak of
rage and sorrow, which she was ready to rebuke with a flow of excellent
precepts and reasoning. But Conradin said nothing: there was nothing to be
said. Something perhaps in his white set face gave her a momentary qualm,
for at tea that afternoon there was toast on the table, a delicacy which
she usually banned on the ground that it was bad for him; also because the
making of it 'gave trouble', a deadly offence in the middle-class feminine
eye.
'I thought you liked
toast,' she exclaimed, with an injured air, observing that he did not
touch it.
'Sometimes,' said
Conradin.
In the shed that
evening there was an innovation in the worship of the hutch-god. Conradin
had been wont to chant his praises, tonight he asked a boon.
'Do one thing for me,
Sredni Vashtar.'
The thing was not
specified. As Sredni Vashtar was a god he must be supposed to know. And
choking back a sob as he looked at that other empty corner, Conradin went
back to the world he so hated.
And every night, in
the welcome darkness of his bedroom, and every evening in the dusk of the
tool-shed, Conradin's bitter litany went up: 'Do one thing for me, Sredni
Vashtar.'
Mrs De Ropp noticed
that the visits to the shed did not cease, and one day she made a further
journey of inspection.
'What are you keeping
in that locked hutch?' she asked. 'I believe it's guinea-pigs. I'll have
them all cleared away.'
Conradin shut his
lips tight, but the Woman ransacked his bedroom till she found the
carefully hidden key, and forthwith marched down to the shed to complete
her discovery. It was a cold afternoon, and Conradin had been bidden to
keep to the house. From the furthest window of the dining-room the door of
the shed could just be seen beyond the corner of the shrubbery, and there
Conradin stationed himself. He saw the Woman enter, and then he imagined
her opening the door of the sacred hutch and peering down with her
short-sighted eyes into the thick straw bed where his god lay hidden.
Perhaps she would prod at the straw in her clumsy impatience. And Conradin
fervently breathed his prayer for the last time. But he knew as he prayed
that he did not believe. He knew that the Woman would come out presently
with that pursed smile he loathed so well on her face, and that in an hour
or two the gardener would carry away his wonderful god, a god no longer,
but a simple brown ferret in a hutch. And he knew that the Woman would
triumph always as she triumphed now, and that he would grow ever more
sickly under her pestering and domineering and superior wisdom, till one
day nothing would matter much more with him, and the doctor would be
proved right. And in the sting and misery of his defeat, he began to chant
loudly and defiantly the hymn of his threatened idol:
Sredni Vashtar went forth, His thoughts were red thoughts and his
teeth were white. His enemies called for peace, but he
brought them death. Sredni Vashtar the Beautiful.
And then of a sudden
he stopped his chanting and drew closer to the window-pane. The door of
the shed still stood ajar as it had been left, and the minutes were
slipping by. They were long minutes, but they slipped by nevertheless. He
watched the starlings running and flying in little parties across the
lawn; he counted them over and over again, with one eye always on that
swinging door. A sour-faced maid came in to lay the table for tea, and
still Conradin stood and waited and watched. Hope had crept by inches into
his heart, and now a look of triumph began to blaze in his eyes that had
only known the wistful patience of defeat. Under his breath, with a
furtive exultation, he began once again the pćan of victory and
devastation. And presently his eyes were rewarded: out through that
doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the
waning daylight, and dark wet stains around the fur of jaws and throat.
Conradin dropped on his knees. The great polecat-ferret made its way down
to a small brook at the foot of the garden, drank for a moment, then
crossed a little plank bridge and was lost to sight in the bushes. Such
was the passing of Sredni Vashtar.
'Tea is ready,' said
the sour-faced maid; 'where is the mistress?'
'She went down to the
shed some time ago,' said Conradin.
And while the maid
went to summon her mistress to tea, Conradin fished a toasting-fork out of
the sideboard drawer and proceeded to toast himself a piece of bread. And
during the toasting of it and the buttering of it with much butter and the
slow enjoyment of eating it, Conradin listened to the noises and silences
which fell in quick spasms beyond the dining-room door. The loud foolish
screaming of the maid, the answering chorus of wondering ejaculations from
the kitchen region, the scuttering footsteps and hurried embassies for
outside help, and then, after a lull, the scared sobbings and the
shuffling tread of those who bore a heavy burden into the house.
'Whoever will break it to the poor
child? I couldn't for the life of me!' exclaimed a shrill voice. And while
they debated the matter among themselves, Conradin made himself another
piece of toast.
Saki is the pen name of H.H. Munroe, 1870 to 1916.
A misogynistic, anti-semitic right-winger, he eagerly joined the army in 1914
and was killed in action in France. He has some famous last words:
"Put that damned cigarette out!" Most of his stories were published
posthumously.
All original material on this website is by Gregory Norris. The
website was last updated on
28/01/2007.