She was one of those
pretty, delightful girls who, apparently by some error of Fate, get
themselves born the daughters of very minor civil servants. She had no
dowry, no expectations, no means of meeting some rich, important man who
would understand, love, and marry her. So she went along with a proposal
made by a junior clerk in the Ministry of Education.
She dressed simply,
being unable to afford anything better, but she was every whit as unhappy
as any daughter of good family who has come down in the world. Women have
neither rank nor class, and their beauty, grace, and charm do service for
birthright and connections. Natural guile, instinctive elegance, and
adaptability are what determines their place in the hierarchy, and a girl
of no birth to speak of may easily be the equal of any society lady.
She was unhappy all
the time, for she felt that she was intended for a life of refinement and
luxury. She was made unhappy by the run-down apartment they lived in, the
peeling walls, the battered chairs, and the ugly curtains. Now all this,
which any other woman of her station might never even have noticed, was
torture to her and made her very angry. The spectacle of the young Breton
peasant girl who did the household chores stirred sad regrets and
impossible fancies. She dreamed of silent antechambers hung with oriental
tapestries, lit by tall, bronze candelabras, and of two tall footmen in
liveried breeches asleep in the huge armchairs, dozing in the heavy heat
of a stove. She dreamed of great drawing-rooms dressed with old silk,
filled with fine furniture which showed off trinkets beyond price, and of
pretty little parlours, filled with perfumes and just made for intimate
talk at five in the afternoon with one's closest friends who would be the
most famous and sought-after men of the day whose attentions were much
coveted and desired by all women.
When she sat down to
dinner at the round table spread with a three-day-old cloth, facing her
husband who always lifted the lid of the soup-tureen and declared
delightedly: 'Ah! Stew! Splendid! There's nothing I like better than a
nice stew…', she dreamed of elegant dinners, gleaming silverware, and
tapestries which peopled the walls with mythical characters and strange
birds in enchanted forests; she dreamed of exquisite dishes served on
fabulous china plates, of pretty compliments whispered into willing ears
and received with Sphinx-like smiles over the pink flesh of a trout or the
wings of a hazel hen.
She had no fine
dresses, no jewellery, nothing. And that was all she cared about; she felt
that God had made her for such things. She would have given anything to be
popular, envied, attractive, and in demand.
She had a friend who
was rich, a friend from her convent days, on whom she never called now,
for she was always so unhappy afterwards. Sometimes, for days on end, she
would weep tears of sorrow, regret, despair, and anguish.
One evening her
husband came home looking highly pleased with himself. In his hand he
brandished a large envelope.
'Look,' he said,
'I've got something for you.'
She tore the paper
flap eagerly and extracted a printed card bearing these words:
'The Minister of
Education and Madame Georges Ramponneau request the pleasure of the
company of Monsieur and Madame Loisel at the Ministry Buildings on the
evening of 18 January.'
Instead of being
delighted as her husband had hoped, she tossed the invitation peevishly
onto the table and muttered: 'What earthly use is that to me?'
'But, darling, I
thought you'd be happy. You never go anywhere and it's an opportunity, a
splendid opportunity! I had the dickens of a job getting hold of an
invite. Everybody's after them; they're very much in demand and not many
are handed out to us clerks. You'll be able to see all the big nobs
there.'
She looked at him
irritably and said shortly: 'And what am I supposed to wear if I do go?'
He had not thought of
that. He blustered: 'What about the dress you wear for the theatre? It
looks all right to me…' The words died in his throat. He was totally
disconcerted and dismayed by the sight of his wife who had begun to cry.
Two large tears rolled slowly out of the corners of her eyes and down
towards the sides of her mouth.
'What's up?' he
stammered. 'What's the matter?'
Making a supreme
effort, she controlled her sorrows and, wiping her damp cheeks, replied
quite calmly: 'Nothing. It's just that I haven't got anything to wear and
consequently I shan't be going to any reception. Give the invite to one of
your colleagues with a wife who is better off for clothes than I am.'
He was devastated. He
went on: 'Oh come on, Mathilde. Look, what could it cost to get something
suitable that would do for other occasions, something fairly simple?'
She thought for a few
moments, working out her sums but also wondering how much she could
decently ask for without drawing an immediate refusal and pained protests
from her husband who was careful with his money. Finally, after some
hesitation, she said: 'I can't say precisely, but I daresay I could get by
on four hundred francs.'
He turned slightly
pale, for he had been setting aside just that amount to buy a gun and
finance hunting trips the following summer in the flat landscape around
Nanterre with a few friends who went shooting larks there on Sundays. But
he said: 'Very well. I'll give you your four hundred francs. But do try
and get a decent dress.'
The day of the
reception drew near and Madame Loisel appeared sad, worried, anxious. Yet
all her clothes were ready. One evening her husband said: 'What's up? You
haven't half been acting funny these last few days.'
She replied: 'It
vexes me that I haven't got a single piece of jewellery, not one stone,
that I can put on. I'll look like a church mouse. I'd almost as soon not
go to the reception.'
'Wear a posy,' he
said. 'It's all the rage this year. You could get two or three magnificent
roses for ten francs.'
She was not
convinced. 'No… There's nothing so humiliating as to look poor when you're
with women who are rich.'
But her husband
exclaimed: 'You aren't half silly! Look, go and see your friend, Madame
Forestier, and ask her to lend you some jewellery. You know her well
enough for that.'
She gave a delighted
cry: 'You're right! I never thought of that!'
The next day she
called on her friend and told her all about her problem. Madame Forestier
went over to a mirror-fronted wardrobe, took out a large casket, brought
it over, unlocked it, and said to Madame Loisel: 'Choose whatever you
like.'
At first she saw
bracelets, then a rope of pearls and a Venetian cross made of gold and
diamonds admirably fashioned. She tried on the necklaces in the mirror,
and could hardly bear to take them off and give them back. She kept
asking: 'Have you got anything else?'
'Yes, of course. Just
look. I can't say what sort of thing you'll like best.'
All of a sudden, in a
black satinwood case, she found a magnificent diamond necklace, and her
heart began to beat with immoderate desire. Her hands shook as she picked
it up. She fastened it around her throat over her high-necked dress and
sat looking at herself in rapture. Then, diffidently, apprehensively, she
asked: 'Can you lend me this? Nothing else. Just this.'
'But of course.'
She threw her arms
around her friend, kissed her extravagantly, and then ran home, taking her
treasure with her.
The day of the
reception arrived. Madame Loisel was a success. She was the prettiest
woman there, elegant, graceful, radiant, and wonderfully happy. All the
men looked at her, enquired who she was, and asked to be introduced. All
the cabinet secretaries and under-secretaries wanted to waltz with her.
She was even noticed by the Minister himself.
She danced
ecstatically, wildly, intoxicated with pleasure, giving no thought to
anything else, swept along on her victorious beauty and glorious success,
and floating on a cloud of happiness composed of the homage, admiration,
and desire she evoked and the kind of complete and utter triumph which is
so sweet to a woman's heart.
She left at about
four in the morning. Since midnight her husband had been dozing in a
small, empty side-room with three other men whose wives were having an
enjoyable time.
He helped her on with
her coat which he had fetched when it was time to go, a modest, everyday
coat, a commonplace coat violently at odds with the elegance of her dress.
It brought her down to earth, and she would have preferred to slip away
quietly and avoid being noticed by the other women who were being arrayed
in rich furs. But Loisel grabbed her by the arm: 'Wait a sec. You'll catch
cold outside. I'll go and get a cab.'
But she refused to
listen and ran quickly down the stairs. When they were outside in the
street, there was no cab in sight. They began looking for one, hailing all
the cabbies they saw driving by in the distance.
They walked down to
the Seine in desperation, shivering with cold. There, on the embankment,
they at last found one of those aged nocturnal hackney cabs which only
emerge in Paris after dusk, as if ashamed to parade their poverty in the
full light of day. It bore them back to their front door in the rue des
Martyrs, and they walked sadly up to their apartment. For her it was all
over, while he was thinking that he would have to be at the Ministry at
ten.
Standing in front of
the mirror, she took off the coat she had been wearing over her shoulders,
to get a last look at herself in all her glory. Suddenly she gave a cry.
The necklace was no longer round her throat!
Her husband, who was
already half undressed, asked: 'What's up?'
She turned to him in
a panic: 'I…I…Madame Forestier's necklace…I haven't got it!'
He straightened up as
if thunderstruck: 'What?…But…You can't have lost it!'
They looked in the
pleats of her dress, in the folds of her coat, and in her pockets. They
looked everywhere. They did not find it.
'Are you sure you
still had it when you left the ballroom?' he asked.
'Yes, I remember
fingering it in the entrance hall.'
'But if you'd lost it
in the street, we'd have heard it fall. So it must be in the cab.'
'That's right. That's
probably it. Did you get his number?'
'No. Did you happen
to notice it?'
'No.'
They looked at each
other in dismay. Finally Loisel got dressed again. 'I'm going to go back
the way we came,' he said, 'to see if I can find it.' He went out. She
remained as she was, still wearing her evening gown, not having the
strength to go to bed, sitting disconsolately on a chair by the empty
grate, her mind a blank.
Her husband returned
at about seven o'clock. He had found nothing.
He went to the police
station, called at newspaper offices where he advertised a reward, toured
the cab companies, and tried anywhere where the faintest of hopes led him.
She waited for him all day long in the same distracted condition, thinking
of the appalling catastrophe which had befallen them.
Loisel came back that
evening, hollow-cheeked and very pale. He had not come up with anything.
'Look,' he said,
'you'll have to write to your friend and say you broke the catch on her
necklace and you are getting it repaired. That'll give us time to work out
what we'll have to do.'
She wrote to his
dictation.
A week later they had
lost all hope.
Loisel, who had aged
five years, said: 'We'll have to start thinking about replacing the
necklace.'
The next day they
took the case in which it had come and called on the jeweller whose name
was inside. He looked through his order book.
'It wasn't me that
sold the actual necklace. I only supplied the case.'
After this, they
trailed round jeweller's shops, looking for a necklace just like the other
one, trying to remember it, and both ill with worry and anxiety.
In a shop in the
Palais Royal they found a diamond collar which they thought was identical
to the one they were looking for. It cost forty thousand francs. The
jeweller was prepared to let them have it for thirty-six.
They asked him not to
sell it for three days. And they got him to agree to take it back for
thirty-four thousand if the one that had been lost turned up before the
end of February.
Loisel had eighteen
thousand francs which his father had left him. He would have to borrow the
rest.
He borrowed the
money, a thousand francs here, five hundred there, sometimes a hundred and
as little as sixty. He signed notes, agreed to pay exorbitant rates of
interest, resorted to usurers and the whole tribe of moneylenders. He
mortgaged the rest of his life, signed papers without knowing if he would
ever be able to honour his commitments, and then, sick with worry about
the future, the grim poverty which stood ready to pounce, and the prospect
of all the physical privation and mental torture ahead, he went round to
the jeweller's to get the new necklace with the thirty-six thousand francs
which he put on the counter.
When Madame Loisel
took it round, Madame Forestier said in a huff: 'You ought really to have
brought it back sooner. I might have needed it.'
She did not open the
case, as her friend had feared she might. If she had noticed the
substitution, what would she have thought? What would she have said? Would
she not have concluded she was a thief?
Then began for Madame
Loisel the grindingly horrible life of the very poor. But quickly and
heroically, she resigned herself to what she could not alter: their
appalling debt would have to be repaid. She was determined to pay. They
dismissed the maid. They moved out of their apartment and rented an attic
room.
She became used to
heavy domestic work and all kinds of ghastly kitchen chores. She washed
dishes, wearing down her pink nails on the greasy pots and saucepans. She
washed the dirty sheets, shirts, and floorcloths by hand and hung them up
to dry on a line; each morning she took the rubbish down to the street and
carried the water up, pausing for breath on each landing. And, dressed
like any working-class woman, she shopped at the fruiterer's, the
grocer's, and the butcher's, with a basket over her arm, haggling,
frequently abused and always counting every penny.
Each month they had
to settle some accounts, renew others, and bargain for time.
Her husband worked in
the evenings doing accounts for a shopkeeper and quite frequently sat up
into the early hours doing copying work at five sous a page.
They lived like this
for ten years.
By the time ten years
had gone by, they had repaid everything, with not a penny outstanding, in
spite of the extortionate conditions and including the accumulated
interest.
Madame Loisel looked
old now. She had turned into the battling, hard, uncouth housewife who
rules working-class homes. Her hair was untidy, her skirts were askew, and
her hands were red. She spoke in a gruff voice and scrubbed floors on her
hands and knees. But sometimes, when her husband had gone to the office,
she would sit by the window and think of that evening long ago when she
had been so beautiful and so admired.
What might not have
happened had she not lost the necklace? Who could tell? Who could possibly
tell? Life is so strange, so fickle! How little is needed to make or break
us!
One Sunday, needing a
break from her heavy working week, she went out for a stroll on the
Champs-Elysées. Suddenly she caught sight of a woman pushing a child in a
pram. It was Madame Forestier, still young, still beautiful, and still
attractive.
Madame Loisel felt
apprehensive. Should she speak to her? Yes, why not? Now that she had paid
in full, she would tell her everything. Why not? She went up to her.
'Hello, Jeanne.'
The friend did not
recognize her and was taken aback at being addressed so familiarly by a
common woman in the street. She stammered: 'But…I'm sorry…I don't
know…There's some mistake.'
'No mistake. I'm
Mathilde Loisel.'
Her friend gave a
cry: 'But my poor Mathilde, how you've changed!'
'Yes, I've been
through some hard times since I saw you, very hard times. And it was all
on your account.'
'On my account?
Whatever do you mean?'
'Do you remember that
diamond necklace you lent me to go to the reception at the Ministry?'
'Yes. What about it?'
'Well I lost it.'
'Lost it? But you
returned it to me.'
'No, I returned
another one just like it. And we've been paying for it these past ten
years. You know, it wasn't easy for us. We had nothing…But it's over and
done with now, and I'm glad.'
Madame Forestier
stopped. 'You mean you bought a diamond necklace to replace mine?'
'Yes. And you never
noticed the difference, did you? They were exactly alike.' And she smiled
a proud, innocent smile.
Madame Forestier
looked very upset and, taking both her hands in hers, said:
'Oh, my poor Mathilde! But it was only
an imitation necklace. It couldn't have been worth much more than five
hundred francs!…'
Guy de Maupassant lived from 1850 to 1893. Why
did he die young? Syphilis and a "dissolute lifestyle".
He was a misogynist and you won't find any sympathetically-written women
in his work. He
wrote over two hundred short stories and this one dates from 1884.
All original material on this website is by Gregory Norris. The
website was last updated on
28/01/2007.