This was my second instalment of advice on the BBC
End of Story competition.
Ian Rankin - Billy Bone
"I could see several ways it could go."
Joanne Harris - Dryad
She saw it as a "between worlds" story and said
she wanted:
"a logical continuation of the narrative
structure, which is one story within another story. I would like to
continue this theme of love, thwarted love and sensuality; and most of all
I'd like the writer to use their imagination."
Alexei Sayle - Imitating Katherine Walker
He describes himself as a satirist and said:
"Satirists are always disappointed idealists."
"This story is about the attractiveness of the
imaginary, the fantasy over grimy reality, so he begins to be obsessed
with this woman."
"My fiction is very dense because a lot happens in
it. They would need to match the humour, match the detail."
He implied he wants something unexpected at the
ending: "You've got to get that twist."
Sue Townsend - The Angel
She described her piece as claustrophobic.
"I would like the viewer to have found things I
haven't found in these characters, and I'd like to see the characters
develop and change, I'd like the story to widen out... I'd like the story
to encompass a bit more of the world and world events."
Fay Weldon - One Size Fits All
She described her central character as being
"frightened of everything".
She said she
wanted it finished according to the individual writer's "world view".
Shaun Hutson - The Tunnel
His message was, essentially, that horror has got
to be nasty. He commented that he considered a character in mental
breakdown to be more scary than killer slugs etc.
In answer to the what he would like question, he
said:
"Scare the hell out of me, obviously, because it's
a horror story."
and
"Surprise me - I don't want to read it
and second guess what's going to happen."
Marian Keyes - A Woman's Right To Shoes
She called her story opening "a feminist retelling
of Cinderella". She also said: "The best comedy is always routed in
darkness."
Her main comment was:
"I would like somebody to pick up on the feminist
theme and do something interesting with that. Or because it is a magical
and quite sinister story, I would be very entertained if somebody did
something imaginative in a fairy tale kind of way, but when I say fairy
tale I don't mean anything icky and romantic."
Ed McBain - Love or Money
Said nothing about how he'd like it to
continue!
What the judges said
An important comment was made by Giles Coren: the
judges "mustn't see the seam" between the two halves of the story.
Various ending types were given, such as happy,
twist, circular, open. The one ending that they said they didn't want was
the "It was all a dream" ending.
Carole Blake made her preferences clear abut the
Fay Weldon ending, saying she'd love the lead character to overcome her
fear, fly out and have a happy ending.
When choosing which story to finish, the judges suggested that the
writer will need to empathise with the characters, and to be able to say:
"I have that sense of humour, I have that wit."
All original material on this website is by Gregory Norris. The
website was last updated on
28/01/2007.