Nadya Zelenin had
just come back with her mamma from the theatre where she had seen a
performance of Yevgeny Onyegin. As soon as she reached her own room
she threw off her dress, let down her hair, and in her petticoat and white
dressing-jacket hastily sat down at the table to write a letter like
Tatyana’s.
“I love you,” she
wrote, “but you do not love me, do not love me!”
She wrote it and
laughed.
She was only sixteen
and did not love anyone yet. She knew an officer called Gorny and a
student called Gruzdev loved her, but now after the opera she wanted to be
doubtful of their love. To be unloved and unhappy – how interesting that
was. There was something beautiful, touching and poetical about it when
one loved and the other was indifferent. Onyegin was interesting because
he was not in love at all, and Tatyana was fascinating because she was so
much in love; but if they had been equally in love with each other and
happy, perhaps they would have seemed dull.
“Leave off declaring
you love me,” Nadya went on writing, thinking of Gorny. “I cannot believe
it. You are very clever, cultivated, serious, you have immense talent, and
perhaps a brilliant future awaits you; while I am an uninteresting girl of
no importance, and you know very well I should only be a hindrance in your
life. It is true you were attracted by me and thought you had found your
ideal in me, but that was a mistake, and now you are asking yourself in
despair: ‘Why did I meet that girl?’ And only your goodness of heart
prevents you from owning it to yourself…”
Nadya felt sorry for
herself, she began to cry, and went on:
“It is hard for me to
leave my mother and my brother, or I should take a nun’s veil and go
whither chance may lead me. And you would be left free and would love
another. Oh, if I were dead!”
She could not make
out what she had written through her tears; little rainbows were quivering
on the table, on the floor, on the ceiling, as though she were looking
through a prism. She could not write, she sank back in her easy-chair and
fell to thinking of Gorny.
My God! how
interesting, how fascinating men were! Nadya recalled the fine expression,
ingratiating, guilty and soft, which came into the officer’s face when one
argued about music with him, and the effort he made to prevent his voice
from betraying his passion. In a society where cold haughtiness and
indifference were regarded as signs of good breeding and gentlemanly
bearing, one concealed one’s passions. And he did try to conceal them but
he not succeed, and everyone knew very well he had a passionate love of
music. The endless discussions about music and the bold criticisms of
people who knew nothing about it kept him always strained; he was
frightened, timid, and silent. He played the piano magnificently, like a
professional pianist, and if he had not been in the army he would have
certainly been a famous musician.
The tears in her eyes
dried. Nadya remembered Gorny had declared his love at a Symphony concert,
and again downstairs by the hatstand where there was a tremendous draught
blowing in all directions.
“I am very glad you
have at last made the acquaintance of Gruzdev, our student friend,” she
went on writing. “He is a very clever man and you will be sure to like
him. He came to see us yesterday and stayed till two o’clock. We were all
delighted with him, and I regretted that you had not come. He said a great
deal that was remarkable.”
Nadya laid her arms
on the table and leaned her head on them, and her hair covered the letter.
She recalled the student loved her too, and that he had as much right to a
letter as Gorny. Wouldn’t it be better after all to write to Gruzdev?
There was a stir of
joy in her chest for no reason whatever; at first the joy was small, and
rolled in her chest like an india-rubber ball; then it became more
massive, bigger, and rushed like a wave. Nadya forgot Gorny and Gruzdev;
her thoughts were in a tangle and her joy grew and grew; from her chest it
passed into her arms and legs, and it seemed as if a light, cool breeze
was breathing on her head and ruffling her hair. Her shoulders quivered
with subdued laughter, the table and the lamp chimney shook too, and tears
from her eyes splashed on the letter. She could not stop laughing, and to
prove to herself she was not laughing about nothing she hastened to think
of something funny.
“What a funny
poodle,” she said, feeling as though she would choke with laughter. “What
a funny poodle!”
She thought how,
after tea the evening before, Gruzdev had played with Maxim the poodle,
and afterwards told them about a very intelligent poodle who ran after a
crow in the yard, and the crow looked round at him and said: “Oh, you
scamp!”
The poodle, not
knowing he was dealing with a learned crow, was fearfully confused and
retreated in perplexity, then began barking…
“No, I had better
love Gruzdev,” Nadya decided, and she tore up the letter to Gorny.
She fell to thinking
of the student, of his love, of her love; but the thoughts in her head
insisted on flowing in all directions, and she thought about everything –
about her mother, about the street, about the pencil, about the piano… She
thought of them joyfully, and felt that everything was good, splendid, and
her joy told that this was not all, that in a little while it would be
better still. Soon it would be spring, summer, going with her mother to
Gorbiki. Gorny would come for his furlough, would walk about the garden
with her and make love to her. Gruzdev would come too. He would play
croquet and skittles with her, and would tell her wonderful things. She
had a passionate longing for the garden, the darkness, the pure sky, the
stars. Again her shoulders shook with laughter, and it seemed to her there
was a scent of wormwood in the room and that a twig was tapping at the
window.
She went to her bed,
sat down, and not knowing what to do with the immense joy which filled her
with yearning, she looked at the holy image hanging at the back of her
bed, and said:
“Oh, Lord God! Oh, Lord God!”
Chekhov (1860 - 1904) is perhaps better known for his
plays nowadays, but he is considered one of the founders of the short
story form. His stories tend not to have much in the way of a
dramatic plot, relying more on a sensitivity to emotions.
He is renowned for writing very fast, completing a short story in an hour
or less, and has hundreds of stories to his name.
All original material on this website is by Gregory Norris. The
website was last updated on
28/01/2007.